Suzanne Farrell Ballet – Autumn 2012 Program B – Washington
The company premiere of The Prodigal Son was the centerpiece and highlight of the Suzanne Farrell Ballet’s second all-Balanchine program at the Kennedy Center Eisenhower Theater - a program that also...
View ArticleSuzanne Farrell Ballet – Mozartiana, Episodes – Washington
The much admired Suzanne Farrell Ballet have just been performing at their Kennedy Center home in Washington - Oksana Khadarina reviews the Balanchine works (Mozartiana and Episodes) on Programme A...
View ArticleSuzanne Farrell Ballet – Pas de Dix, Duo Concertant, Tempo di Valse, Agon –...
...offered a perfect Balanchine sampler, bringing together an assortment of ballets, full of unexpected juxtapositions, from very different periods of the choreographer’s long career.
View ArticleJessica Lang Dance – Program 3, National Symphony Orchestra: NEW MOVES:...
JLD is a relatively young troupe, but it consists of nine experienced and established dancers, some of them well-known and admired in Washington. Take for example, Clifton Brown...
View ArticleSuzanne Farrell Ballet – Swan Lake, Monumentum Pro Gesualdo, Movements for...
It’s hard to imagine a better program to showcase the power of ballet as an expressive art than Suzanne Farrell Ballet’s impressive offering for its annual season at the Kennedy Center.
View ArticleInterview: Suzanne Farrell – Artistic Director
We talk to Farrell about her summer program, her approach to teaching aspiring ballet dancers, her studies and work with George Balanchine and also about her her company and its new season at the...
View ArticleSuzanne Farrell Ballet – Walpurgisnacht Ballet, Midsummer Night’s Dream,...
Suzanne Farrell Ballet’s new program, “Balanchine, Béjart, and the Bard,” presented at the Kennedy Center Opera House at the end of October, was dedicated to the 400th anniversary of Shakespeare’s...
View ArticleDance Like an Egyptian – Mirò Magloire and choreographing for Aida
In the world of opera, dance has a rather low place on the totem pole. Music critics (and opera audiences) can be pretty dismissive...
View ArticleWashington Ballet – Hamlet – Washington
★★✰✰✰ There is, however, one undeniably compelling personage in this somewhat flat production of Hamlet - the quiet and fragile Ophelia, as portrayed by Venus Villa...
View ArticleSuzanne Farrell Ballet – Danses Concertantes, Gounod Symphony, Stars and...
★★★★✰ Watching this immensely entertaining program one realizes that even a minor Balanchine ballet is still a great ballet.
View ArticleBallet Across America – Opening Night Celebration 2017 – Washington
★★★★✰ Ballet Across America – a festival that showcases the stylistic, creative and geographical diversity of American ballet – returned to the Kennedy Center this month...
View ArticleSuzanne Farrell Ballet’s Final Performances in Washington
This season the Suzanne Farrell Ballet is bidding farewell to its audiences with final performances at the Kennedy Center Opera House, December 7-9. There will be two programs, each featuring a...
View ArticleSuzanne Farrell Ballet – Forever Balanchine: Farewell Performances – Washington
★★★★★ As artistic director of her own troupe, Farrell was able to take her devotion to Balanchine and her aspiration to promote and preserve his legacy to a new level. For nearly 20 years, Washington...
View ArticleThe National Ballet of Canada – The Sleeping Beauty – Washington
★★★★✰ ...undoubtedly one of the most visually stunning and dramatically meaningful Beauties you will ever find.
View ArticleNew York City Ballet – Classic NYCB I including Haieff Divertimento &...
★★★★✰ The four ballets make for a slightly over-long evening (both Episodes and Rodeo are substantial works). But it’s a small price to pay for seeing these rarities back onstage.
View ArticleInterview: Suzanne Farrell – Artistic Director
“It’s very special to dance. And it’s even more special to dance a Balanchine ballet” - Suzanne Farrell
View ArticleSuzanne Farrell Ballet – Autumn 2012 Program A – Washington
When watching them perform one understands what dance critic Joan Acocella meant when she said: “Every single time Suzanne Farrell sets a Balanchine ballet – it rises from the dead.”
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